| Date | Source | Type
| Work |
| 2002-2003 | The Bayly Museum
| Commission | The Forest for The
TreesDigital Installation Piece |
| 2001-2002 | Wintergreen Performing Arts through
Americans for the Arts | Commission | Singing the Blue RidgeMezzo, Baritone, Orchestra,
Electronics made from wild animal sounds |
| 2001 | Currents Ensemble | Commission | Run Piano Qt |
| 1999 | The Hexagon Ensemble | Commission | Ockeghem Varitaions (Wnd Qt + Pno) |
| 1997-8 | The Core Ensemble | Commission | Houdini: Memories of a Conjurer (Vlc, Pno, Perc) |
| 1995 | National Symphony | Hechinger Commission, 25th Anniversary of the Kennedy
Center | Hearing the Call (2 trumpets, 2 snare
drums) |
| 1994-95 | University of Virginia | Associate Fellowship | Institute for Advanced
Technologies in the Humanities |
| 1994 | James Kraft/Manhattan School of
Music | Commission for the Arcata Quartet | The Janus Quartet (String Quartet) |
| 1992-94 | Lila Acheson Wallace/Readers Digest
Foundation | Grant to Shepherd College: two-year
retrospective of Shatin's music and commissioned piece | 4 residencies, plus commissioned piece COAL |
| 1992 | University of Virginia | Commission, celebrating Jefferson's 250th birthday | We Hold These Truths |
| 1992-94 | National Endowment for the Arts
| Composer Fellowship | Elijah's
Chariot for the Kronos Quartet; Four Songs for Girls Chorus |
| 1991 | Lila Acheson Wallace/Reader's Digest
Foundation | Planning Grant to Shepherd College
| Retrospective & commission of Shatin's music |
| 1991 | National Flute Association | Winner, Newly-Published Music Competition | Gabriel's Wing |
| 1990-91 | Virginia Chamber Orch. | Commission | Stringing the Bow |
| 1990-92 | Virginia Commission for the Arts
| Individual Composer Award | Kairos |
| 1990-93 | Virginia Commission for the Arts
| Commission to Roxbury Chamber Players | Secret Ground |
| 1990 | National Endowment for the Arts
| Composer Fellowship | Piping the
Earth |
| 1990 | Bay Area Women's Philharmonic
| Commission | Piping the Earth
|
| 1988 | American Academy and Institute of
Arts & Letters | Nominated for Award | |
| 1988 | Barlow Foundation | Commission | Three Summers Heat
|
| 1986 | American Academy and Institute of
Arts & Letters | Nominated for Award | |
| 1986 | Garth Newel Chamber Players | Commission | View from Mt. Nebo |
| 1985 | American Academy and Institute of
Arts & Letters | Nominated for Award | |
| 1985 | National Endowment for the Arts
| Composer Fellowship | Ruah |
| 1985 | University of Virginia | Commission | Commonwealth Salute |
| 1982 | Ash Lawn Opera Festival | Commission | Follies and Fancies |
| 1981 | Ash Lawn Opera Festival | Commission for orchestration | Follies and
Fancies |
| 1980 | American String Quartet Festival,
Charles Ives Center | Performance | Constellations |
| 1980 | National Endowment for the Arts
| Composer Fellowship | Aura |
| 1978-79 | Memorial Foundation for Jewish
Culture | Commission
| Job |
| 1978 | East and West Artists Composition
Competition | Winner of Competition
| Quatrain |
| 1976 | New Jersey State Arts Council
| Commission | Arche |
| 1973 | The Juilliard School | Ellstein Composition Award | |
| 1971 | Aspen Music Festival | Composition Award | Lost Shards |
| 1971 | Douglass College | Julia Carlie Composition Prize | |
| 2001 | MacDowell |
| 1999 | Mishkan Amanim; Herzlia, Israel
|
| 1997 | Virginia Center for Creative Arts
|
| 1996 | Virginia Center for Creative Arts
|
| 1995 | Brahmshaus, Baden-Baden |
| 1992 | MacDowell Artist Colony |
| 1991 | Roanoke Symphony Orchestra,
Art-Sounds Series |
| | James Madison University
Contemporary Music Festival |
| | Grand Teton Music Festival,
Music in the Present Tense Series |
| 1990 | University of California, San Diego
|
| 1990 | Bellagio Study & Conference
Center |
| 1989-90 | Center for Computer Research in
Music & Acoustics, Stanford University |
| 1987 | Yaddo Artist Colony |
| | Virginia Center for the
Creative Arts |
| | Garth Newel Chamber Players
|
| 1986 | Minnesota Orchestra, American
Symphony Orchestra League Program |
| | Virginia Center for the
Creative Arts |
| 1985 | Roxbury Chamber Players |
| | Virginia Center for the
Creative Arts |
| 1984 | Virginia Center for the Creative
Arts |
| 1983 | La Cité Internationale des
Arts, Paris, France |
| 1981 | American Dance Festival, Composer &
Choreographers Program, Duke University |
| 1975 | Tanglewood, Composition Fellow |
| 1974 | Tanglewood, Composition Fellow |
| 1999- | Advisory Board,
International Alliance for Women in Music |
| 1996- | Chair, Nominating Committee,
International Alliance for Women in Music |
| 1995- | Jury, Civitella Ranieri
Artist Colony |
| 1994- | Board of Directors, American
Composers Alliance |
| 1989- 93 | President, American Women
Composers, Inc. |
| 1991 | Score Review Panel, Women's
Philharmonic Orchestral Readings |
| 1990 | NEA Peer Review Panel,
Composer Fellowship Program |
| 1988 | Chair, Virginia Chapter,
American Women Composers, Inc. |
| 1982-86, 1993- | Board of the Tuesday
Evening Concert Series, University of Virginia |
| 1982-85 | Board of Directors, Virginia
Women's Cultural History Project |
| 1981-85 | Secretary, Executive Board,
American Women Composers, Inc. |
| 1974-79 | Board of Directors, League
of Composers/International Society for Contemporary Music (two terms) |