Nathaniel Hawthorne

From The House of Seven Gables

chapter: Maule's well

"Yes," said Holgrave, "I dig, and hoe, and weed, in this black old earth, for the sake of refreshing myself with what little nature and simplicity may be left in it, after men have so long sown and reaped here. I turn up the earth by way of pastime. My sober occupation, so far as I have any, is with a lighter material. In short, I make pictures out of sunshine; and, not to be much dazzled with my own trade, I have prevailed with Miss Hepzibah to let me lodge in one of these dusky gables. It is like a bandage over one's eyes, to come into it. But would you like to see a specimen of my production?"

"A daguerreotype likeness, do you mean?" asked Phoebe, with less reserve; for, in spite of prejudice, her own youthfulness sprang forward to meet his. "I don't much like pictures of that sort they are so hard and stern; besides dodging away from the eye, and trying to escape altogether. They are conscious of looking very unamiable, I suppose, and therefore hate to be seen."

"If you would permit me," said the artist, looking at Phoebe, "I should like to try whether the daguerreotype can bring out disagreeable traits on a perfectly amiable face. But there certainly is truth in what you have said. Most of my likenesses do look unamiable; but the very sufficient reason, I fancy, because the originals are so. There is a wonderful insight in heaven's broad and simple sunshine. While we give it credit only for depicting the merest surface, it actually brings out the secret character with a truth that no painter would ever venture upon, even could he detect it. There is a least no flattery in my humble line of art. Now, here is a likeness which I have taken, over and over again, and still with no better result. Yet the original wears, to common eyes, a very different expression. I would gratify me to have your judgement on this character."

He exhibited a daguerreotye miniature, in a morocco case. Phoebe merely glanced at it, and gave it back.

"I know the face," she replied; "for its stern eye has been following me about, all day. It is my Puritan ancestor, who hangs yonder in the parlor. To be sure, you have found some way of copying the portrait without its black velvet cap and gray beard, and have given him a modern coat and satin cravat, instead of his cloak and band. I don't think him improved by your alterations."

"You would have seen other differences, had you looked a little longer," said Holgrave, laughing, yet apparently much struck. - "I can assure you that this is a modern face, and one which you will very probably meet. Now, the remarkable point is, that the original wears, to the world's eye - and, for aught I know, to his most intimate friends - an exceedingly pleasant countenance, indicative of benevolence, openness of heart, sunny good humor, and other praiseworthy qualities of that cast. The sun, as you see, tells quite another story, and will not be coaxed out of it, after half-a-dozen patient attempts on my part. Here we have the man, sly, subtle, hard, imperious, and, withal cold as ice. Look at the eye! Would you like to be at its mercy? At that mouth! could it ever smile? And yet, if you could only see the benign smile of the original! It is so much the more unfortunate, as he is a public character of some eminence, and the likeness was intended to be engraved."

"Well; I don't wish to see it any more," observed Phoebe, turning away her eyes.

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