- Academic,
Teaching, & Research Interests
- Acousmatic/Electroacoustic
Composition and Analysis
- Ecoacoustics,
Soundscape Composition, and Acoustic Ecology
- Interactive
Performance and Interface Design
- New Media
Opera and Interdisciplinary Performance
- Music
for Prepared/Extended Instruments
- Modern
Dance, Conceptual and Performance Art, Time-based Media
- Late
twentieth-century American music, especially West Coast and Downtown
composers
- Technical
Expertise
- Extensive
background in lab/studio design and maintenance including Macintosh,
Linux, and PC hardware and software
- Audio/MIDI:
Pro Tools, Max/MSP, RTcmix, Digital Performer, Peak, SoundHack, SuperCollider,
Pd, Reason, MOTU MX4, Sonar, Logic, Finale, AudioDesk, various special-purpose
utilities
- Digital
Video: Media 100, Adobe After Effects, Final Cut Pro,
Adobe Premiere, iMovie, Analog and digital video cameras, projectors,
and related hardware/interfaces
- Interactive/Authoring:
Isadora, BigEye, GAIA, Jitter, Director (with Lingo), Flash, Dreamweaver,
HTML, iDVD, DVD Studio Pro
- Graphics/Layout:
Adobe Photoshop, Adobe Illustrator, Adobe Pagemaker, Digital and film
cameras and related hardware
- Sound
Reinforcement/Recording: Digital and analog mixers, effects
processors, dynamics processors, amplification, digital and analog multitracks
and stereo decks, studio and stage microphone techniques, patchbays,
automated and non-automated mixing and mastering
- Other:
Moog, Buchla, and Arp Analog Synthesizers, Basic Stamps, single board
computers, various electronics, circuit design, hardware sensors and
controllers
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